Post Systems
I design post-production workflows that protect footage, streamline editorial, and ensure nothing breaks between set and final delivery.
Chef ATL
Post Supervision / Workflow / DIT
Legends & Legacies
Post Supervision / Workflow / DIT
Workflow Philosophy
DIT & On-Set Workflow
1
On set, I manage media using Offshoot to perform verified offloads with checksum validation, ensuring data integrity across all transfers.
Footage is organized by shoot day and roll, with structured folder hierarchies that maintain clarity across departments.
Media is securely duplicated across multiple destinations during ingest, with every transfer verified, logged, and tracked in real time from camera through post.
Media Organization & Pipeline Design
2
I implement standardized folder structures across all drives to ensure consistency between RAW, proxies, and project files.
Naming conventions are strictly maintained across all assets, allowing for seamless relinking between Avid and DaVinci Resolve during conform.
This system eliminates common post-production errors and keeps editorial, color, and finishing fully aligned.
Proxy & Editorial Workflow
3
Proxies are generated in DaVinci Resolve using DNxHR formats optimized for Avid workflows.
File naming remains identical to original camera media, preserving metadata and ensuring a reliable round-trip during conform.
Editorial is structured with scalable bin systems and versioning practices that support fast iteration and clean turnovers.
Color & Delivery Pipeline
4
The pipeline is designed to support high-end delivery standards, including HDR and SDR outputs.
Using DaVinci Resolve’s color-managed workflow, projects maintain consistency from acquisition through final grade.
Deliverables are structured to meet platform specifications while preserving the creative intent established on set.
WHY IT WORKS?
Every workflow is built to reduce friction between departments.
By standardizing structure, preserving metadata, and validating every step of the pipeline, I ensure projects move efficiently from production to post without compromise.
"Geo is a beast. Thanks for all the late nights and troubleshooting... we need to rally around Geo to help set us up for success in proxy creation."
—Chair of Film, SCAD